Jonah Albert
Where Are the Black Visitors in My Gallery?
in
The Observer, Sunday 7 January 2007
Disponibile all’indirizzo Internet:
http://www.guardian.co.uk/commentisfree/2007/jan/07/arts.visualarts
Audiences Central
Beginner's Guide to an Art Gallery,
Birmingham, Audiences Central.
Disponibile all’indirizzo Internet:
www.audiencescentral.co.uk/attdl/?id=259
Thomas E.Backer
The Human Side of Implementing Action Strategies to Build Cultural Participation
Encino (CA), Human Interaction Research Institute, 2001
Disponibile all’indirizzo Internet:
http://www.humaninteract.org/images/hiri_human.pdf
Anne Bamford
The Wow Factor. Global Research Compendium on the Impact of the Arts in Education
Münster, Waxmann, 2006
Simona Bodo, Maria Rita Cifarelli (a cura di)
Quando la cultura fa la differenza. Patrimonio, arti e media nella società multiculturale
Roma, Meltemi, 2006
Simona Bodo (et al.)
A Brera anch’io. Il museo come terreno di dialogo interculturale
Milano, Electa, 2007
Carla Bodo, Simona Bodo
La coesione sociale e le politiche pubbliche per la cultura
in
Economia della cultura, anno XVII (2007), n. 4, pp. 485-497
Simona Bodo
Convenzione Unesco e promozione interculturale nei musei
In
Economia della cultura, anno XVIII (2008), n. 3, pp. 451-458
Alessandro Bollo
Measuring museum impacts. LEM. The learning museum. Report vol. 3
Bologna, IBACN, 2013
Alessandro Bollo (a cura di)
I pubblici dei musei. Conoscenze e politiche
Milano, Franco Angeli, 2008
Adriana Bortolotti (et al.)
Per l'educazione al patrimonio culturale. 22 tesi
Milano, Franco Angeli, 2008
Daniel Cefaï, Dominique Pasquier (a cura di)
Les sens du public. Publics politiques, publics médiatiques
Paris, Presses universitaires de France, 2003
Roberta Comunian
Public art e periferia in Gran Bretagna
in
Economia della cultura, anno XVI (2006), n. 3, pp. 303-317
Council of Europe. The European Task Force on Culture and Development
In from the Margins. A Contribution to the Debate on Culture and Development in Europe,
Strasbourg, Council of Europe, 1998
Andrew Curry, Robert Stanier
Filling the disappointment gap. Report from the AMA Conference 2002
Disponibile all’indirizzo Internet:
http://www.a-m-a.org.uk/images/downloads/AndrewCurryReport.pdf
Cristina Da Milano
Un progetto multiculturale in un museo d'arte contemporanea
in
Economia della cultura, anno XI (2001), n. 3, pp. 409-414
Cristina Da Milano, Martina De Luca (a cura di)
Attraverso i confini: patrimonio culturale e integrazione sociale
Roma, ECCOM, 2006
Martina De Luca
I giovani e i musei
in
Economia della cultura, anno XVIII (2008), n. 1, pp. 95-100
Martina De Luca
Public art: la politica culturale delle comunità
in
Economia della cultura, anno XIII (2003) n. 1, pp. 89-98
Marzia Di Mento
La figura dell’audience advocate nel museo contemporaneo
in
Economia della cultura, anno XVI (2006), n. 2, pp. 225-236
Lynn D. Dierking, Wendy Pollock
Front-End Studies: Where the Museum and the Community Meet
in
ASTC Dimensions, July/August 1998
Disponibile all’indirizzo Internet:
http://www.astc.org/pubs/dimensions/1998/jul-aug/frontend.htm
Cristina Duranti, Pier Luigi Sacco, Luca Zarri
Definire il profilo del consumatore di cultura in Italia
in
Economia della cultura, anno XVII (2007), n. 3, pp. 351-364
Fondazione Fitzcarraldo (a cura di)
Manuale UNESCO, Misurare la partecipazione culturale
UNESCO, Institute for Statistics, 2012
Formez
Strategie e politiche per l'accesso alla cultura
Roma, Formez, 2007
Claude Fourteau (a cura di)
Les institutions culturelles au plus près du public
Paris, la Documentation française, 2002
Raffaella Fusaro, Marco Sorrentino (a cura di)
Il corpo in gabbia, la testa fuori. Inchiesta su migranti, associazionismo, partecipazione, società
Torino, Idea solidale, 2004
Saverio Gazzelloni
La domanda culturale in Italia: vecchie e nuove forme di comportamento
in
Economia della cultura, anno XII (2002), n. 2, pp. 193-204
Kirsten Gibbs
L'accesso a musei e a gallerie d’arte. Il caso della Gran Bretagna
in
Economia della cultura, anno XVI (2006), n. 2, pp. 259-266
Anna Hassan
I Liked Everything. Celebrating New Audiences
London, Arts Council of England, 2004
Disponibile all’indirizzo Internet:
http://www.artscouncil.org.uk/publication_archive/i-liked-everything-celebrating-new-audiences/
Helen Jermyn
L’arte dell’inclusione. Alla ricerca di prove
in
Economia della cultura, anno XIV (2004), n. 4, pp. 557-564
Helen Jermyn
The Art of Inclusion
London, Arts Council of England, 2004
Disponibile all’indirizzo Internet:
http://www.artscouncil.org.uk/publication_archive/the-art-of-inclusion/
Helen Jermyn
The Arts and Social Exclusion: a Review Prepared for the Arts Council of England
London, Arts Council of England, 2001
Disponibile all’indirizzo Internet:
http://www.artscouncil.org.uk/publication_archive/arts-and-social-exclusion-a-review-prepared-for-the-arts-council-of-england/
Gill Johnson (et al.)
Taking Part in the Arts. New Audiences Final Report
London, Arts Council of England, 2004
Disponibile all’indirizzo Internet:
http://www.takingpartinthearts.com/content.php?content=1021
Nobuko Kawashima
Beyond the Division of Attenders vs Non-attenders: a Study into Audience Development in Policy and Practice
Warwick, University of Warwick. Centre for Cultural Policy Studies, 2000
Disponibile all'indirizzo Internet:
http://www2.warwick.ac.uk/fac/arts/theatre_s/cp/publications/centrepubs/ccps_paper_6.pdf
Linda Kelly, Tim Sullivan
Front-End Evaluation. Beyond the “Field of Dreams”
Sidney, Australian Museum, 1996
Disponibile all’indirizzo Internet:
http://archive.amol.org.au/evrsig/pdf/kelly96.pdf
Naseem Khan
The Shared Space: Cultural Diversity and the Public Domain
London, Arts Council of England, 2002
Disponibile all’indirizzo Internet:
http://www.artscouncil.org.uk/publication_archive/the-shared-space-cultural-diversity-and-the-public-domain/
Antonio Lampis
Nuovo pubblico per i musei
in
Economia della cultura, anno XIV (2004), n. 4, pp. 587-590
Silvia Mascheroni
Per l’educazione alla conoscenza e all’uso del patrimonio culturale
in
Economia della cultura, anno XVI (2006), n. 2, pp. 201-208
François Matarasso
Use or Ornament? The Social Impact of Participation in the Arts
Stroud, Comedia, 1997
Disponibile all’indirizzo Internet:
http://www.institutumeni.cz/res/data/004/000571.pdf
François Matarasso, Steven Halls (a cura di)
The Art of Regeneration
Stroud, Comedia, 1996
Kevin F. McCarthy, Elizabeth H. Ondaatje, Laura Zakaras
Guide to the Literature on Participation in the Arts
Santa Monica (Ca.), RAND, 2001
Disponibile all’indirizzo Internet:
http://www.rand.org/pubs/drafts/2006/DRU2308.pdf
Kevin F. McCarthy, Kimberly Jinnett
A New Framework for Building Participation in the Arts
Santa Monica, CA, RAND, 2001
Disponibile all’indirizzo Internet:
http://www.rand.org/pubs/monograph_reports/2005/MR1323.pdf
Andrew McIntyre, Helen Dunnett
Move on Up: How Test Drive and Teleprompt Develop Audiences
Belfast, Audiences Northern Ireland, 2003
Disponibile all’indirizzo Internet:
http://www.audiencesni.com/library/lb-downloads/reports/Move%20on%20Up%20-%20How%20Test%20Drive%20and%20Teleprompt%20Develop%20Audiences.pdf
Iona McNaughton
An Invitation to Test Drive the Arts
Sidney, Australia Council for the Arts; Wellington, Creative New Zealand, 2008
Disponibile all'indirizzo Internet:
http://www.australiacouncil.gov.au/__data/assets/pdf_file/0016/39040/080211_Promotion_-_An_invitation_to_test_drive_the_arts.pdf
Un museo, tanti pubblici. Condizioni di accessibilità per i visitatori anziani. Risultati di un'indagine
in
Quaderni dei Musei Civici di Torino, n. 8, 2002
Disponibile all’indirizzo Internet:
http://www.comune.torino.it/museiscuola/bm~doc/quaderno_08-2.pdf
Not for the Likes of You
London, Arts Council of England, 2004
Disponibile all’indirizzo Internet:
http://www.takingpartinthearts.com/content.php?content=508
(la pagina indicata dà accesso a vari documenti riferiti al progetto)
Sandra Parker (et al.)
Neighbourhood Renewal and Social Inclusion. The Role of Museums, Archives and Libraries
London, Resource, 2002
Anna Maria Pecci (a cura di)
Patrimoni in migrazione. Accessibilità, partecipazione, mediazione nei musei
Milano, Franco Angeli, 2009
Diane Ragsdale
Surviving the Culture Change. New Missions for the 21st Century
paper presentato al Marketing Summit dell’Australia Council for the Arts (July 3, 2008)
Disponibile all'indirizzo Internet:
http://www.australiacouncil.gov.au/research/arts_marketing/promotion/surviving_the_culture_change_-_new_missions_for_the_21st_century2
Yudhishthir Raj Isar (a cura di)
Inclusive Europe? Horizon 2020.
Conference Reader, Budapest, 17-19 November 2005
Budapest, Kulturpont iroda, 2005
Disponibile all’indirizzo Internet:
http://www.inclusiveeurope.hu/inclusive_B5_WEB_051110.pdf
Michelle Reeves
Measuring the Economic and Social Impact of the Arts. A Review
London, Arts Council of England, 2002
Disponibile all’indirizzo Internet:
http://www.artscouncil.org.uk/publication_archive/measuring-the-economic-and-social-impact-of-the-arts/
Giuseppe Richeri
Il fattore tempo nel consumo di beni culturali
in
Economia della cultura, anno XII (2002), n. 2, pp. 171-178
Rick Rogers
Audience development. Collaboration between Education and Marketing
London, Arts Council of England,1998
Pier Luigi Sacco
Arte pubblica e sviluppo locale: utopia o realtà possibile?
in
Economia della cultura, anno XVI (2006), n. 3, pp. 285-294
Richard Sandell
Strategie espositive nei musei e promozione dell’uguaglianza
in
Economia della cultura, anno XIV (2004), n. 4, pp. 539-546
Gillian Savage
After the show. Making Sense after the Event
North Sidney, Environmetrics, 2007
Disponibile all’indirizzo Internet:
http://www.environmetrics.com.au/resources/GillianSavage_MA07.pdf
Gillian Savage
Experience Pays! 10 Ways to Get Your Share of Mature Markets
North Sidney, Environmetrics, 2002
Disponibile all’indirizzo Internet:
http://www.environmetrics.com.au/resources/experiencepays-low.pdf
Gillian Savage
Youth Audiences. Recalcitrant or Discerning?
North Sidney, Environmetrics, 2000
Disponibile all’indirizzo Internet:
http://www.environmetrics.com.au/resources/youthmuseums.pdf
Gillian Savage, Rachael French
Get ’em Young: Speaking Their Language or Teaching Them Yours?
North Sidney, Environmetrics, 2002
Disponibile all’indirizzo Internet:
http://archive.amol.org.au/evrsig/pdf/MA2002-savagefrench.pdf
Gabi Scardi
L'arte pubblica in Italia: alcune esperienze significative
in
Economia della cultura, anno XVI (2006), n. 3, pp. 295-302
Smithsonian Office of Policy and Analysis
Increasing and Diversifying Smithsonian Audiences
Washington D.C., Smithsonian, 2004
Disponibile all’indirizzo Internet:
http://www.si.edu/opanda/Reports/Reports/Oct04SICmtg.pdf
Giulio Stumpo
I consumi culturali: le abitudini dei cittadini italiani
in
Economia della cultura, anno XVI (2006), n. 2, pp. 179-189
Michele Trimarchi
Dentro lo specchio: economia e politica della domanda di cultura
in
Economia della cultura, anno XII (2002), n. 2, pp. 157-170
Chris Walker, Stephanie Scott-Melnyk, Kay Sherwood
Reggae to Rachmaninoff. How and why people participate in arts and culture
Washington, DC, The Urban Institute, 2002
Disponibile all’indirizzo Internet:
http://www.urban.org/UploadedPDF/310595_ReggaetoRach.pdf
Donna Walker-Kuhne
Invitation to the Party. Building Bridges to the Arts, Culture and Community
Washington, DC, Americans for the Arts, 2006
Whose Heritage? The Impact of Cultural Diversity on Britain's Living Heritage
London, The Arts Council of England, 2000
Jerry Yoshitomi
New Fundamental and Practices to Increase Cultural Participation and Develop Arts Audiences
Washington DC, Association of Performing Arts Presenters, 2000
Disponibile all'indirizzo Internet:
http://www.artspresenters.org/members/pdf/newfundamentals.pdf
YouthARTS Handbook. Arts Programs for Youth at Risk
Washington DC, Americans for the Arts, 1998
Disponibile all'indirizzo Internet:
http://www.americansforthearts.org/youtharts/pdf/youtharts.pdf